Two distinct interpretations of Chopin’s notable repertory prelude, immortalized in Ingmar Bergman’s Autumn Sonata, now receive an updated treatment, with a shifting focal gaze and staging that implicates the performer as the listener and listener as the performer.
Two distinct interpretations of Chopin’s notable repertory prelude, immortalized in Ingmar Bergman’s Autumn Sonata, now receive an updated treatment, with a shifting focal gaze and staging that implicates the performer as the listener and listener as the performer.